Posts Tagged ‘Christopher Pike

20
May
13

Star Trek Into Darkness: Able-Bodied Angst and Abrams’ Anti-Intellectualism

Warning: this post contains discussion of genocide and spoilers for Star Trek Into Darkness.

Compared to most popular film franchises, the Star Trek fandom has waited a long time to see the Enterprise take to open skies again. In an industry where popularity and success are capitalized on as quickly as possible, four years was an unusually long gap between a blockbuster summer film and its sequel. During the four year wait, some fans (especially those of the Prime universe) grew increasingly cynical about the second reboot film’s ability to move beyond the flashy origin story of its predecessor and mature into a more contemplative series about the intragalactic, ethical repercussions of one ship’s actions. This subset of fans grew ever more disheartened each time the director, writers, and producers opened their mouths, typically to comment on how they weren’t making a movie for Star Trek fans, why a female character needed to be shown in her undies while an accidental shot of Chris Pine’s clothed butt needed to be edited out in post-production, or how the Captain Kirk of TOS was a womanizer uninterested in love.

I have to admit, I was one of those fans. I tried to be optimistic, but once the details of Benedict Cumberbatch’s role were spoiled, I became a Trekkie fatalist. I may have spent an evening listening to “I Dreamed a Dream” from Les Mis on repeat while cursing J.J. Abrams’ name for killing the dream I dreamed of a faithful reinvigoration of the Star Trek franchise.

Yet, even before my descent “into darkness” caused by casting spoilers, I knew that the film was going to fail me from disability perspective. I knew it would fall into one of the most egregious ableist tropes in film and television. As soon I saw the promo stills, I knew what was going to happen.

Continue reading ‘Star Trek Into Darkness: Able-Bodied Angst and Abrams’ Anti-Intellectualism’

21
Mar
12

“The Menagerie”: Introducing the Original Space Crips

Warning: spoilers for “The Menagerie,” “Requiem for Methuselah,” Star Trek (2009), Star Trek V: The Final Frontier

Image: a screencap of "The Menagerie part 1." Dr. McCoy and Scotty push Christopher Pike's wheelchair out of a conference room aboard the Enterprise. A security officer in a red shirt stands guard behind them.

As anyone who’s watched at least a minute of the show has likely noticed, Star Trek: the Original Series (TOS) was shot on, let’s say, a limited budget. All sorts of money-saving measures were put in place. Remember Elaan, the monarch with magical tears? Her bodyguards’ armor was made out of place mats. Too obscure? Okay. The transporters were created to avoid filming expensive shots of the Enterprise landing on each planet the crew visited. Obviously, some of these cost-cutting measures were more successful than others. “The Menagerie” two-parter was one of the more successful efforts, at least according to the Hugo Awards who awarded it Best Dramatic Presentation.

For those of you who don’t know the story, “The Menagerie” was cobbled together at the last minute to prevent production from shutting down. Gene Roddenberry took the original pilot (“The Cage”), which had a completely different cast than the series with the exception of Mr. Spock, and incorporated it into a new story which framed “The Cage” footage. You really have to wonder what was going through Gene’s head when coming up with the frame at the eleventh hour. “I know! We’ll have Spock steal the Enterprise and kidnap a cripple!”

Continue reading ‘“The Menagerie”: Introducing the Original Space Crips’




Space Crip

People with disabilities? In my sci-fi? It's more likely than you think.