“Conventions of Space and Time” marks Community‘s second exploration of Abed’s autism/undiagnosable-ness through Inspector Spacetime (the first being “Virtual Systems Analysis,” which you can read about, at length, here.) Like “Virtual Systems Analysis,” “Conventions of Space and Time” deals with the perceived threats to Abed and Troy’s friendship—except this time it’s Troy who’s worried about losing Abed to a new relationship. When the study group attends InSpecTiCon, an Inspector Spacetime convention1, Abed finally meets Toby Weeks, an online friend and “arguably the biggest Inspector Spacetime fan in the world.” Troy is instantly jealous of the rapport Abed has with Toby, but little does he know how far Toby is willing to go to keep Abed for himself…
Posts Tagged ‘mental health
Warning: this post contains spoilers for the Fringe series finale.
As the credits rolled on the final episode of Fringe, I knew one thing for sure: I did not like the ending. I felt somehow dissatisfied with it, rubbed the wrong way. I couldn’t put my finger on it, but there was something Not Right at the core of this happy ending. After some reflection (e.g., browsing on Tumblr), I realized I was mostly upset about Donald/September dying rather than living on with his son. Which, okay, I guess is what the show was going for. They want viewers to be upset when a sympathetic character dies. But, for me, this went way beyond the feels and right into crip rage.
Why? Because this bittersweet happy ending was sweet for Peter and Olivia and Etta (the white, heterosexual, able-bodied nuclear family), but bitter for Michael and Walter (the neurodivergent contingent of the Fringe cast this season).
Previously on Space Crip: disability is a social construction. Who is considered disabled depends on culture. In fictitious cultures with sci-fi and fantasy elements, disability can take strange forms, like lycanthropy or not having any supernatural powers in a magical culture.
Today, I wanna talk about characters whose disabilities stem from their struggle to contain their inner monster. Once upon a time, these characters (who are almost always men) followed their primal mythical creature instincts, causing untold death and damage to the Human and monster world. But now, after going through some intense treatment, they have control over their monster instincts and can live like a normal Human. Well, almost. In order to stop the monster from resurfacing, these characters must follow rigid routines and limit the kind of interaction they have with other people. These characters are in a constant state of maintenance; if they slip up or someone interrupts their routine, they could turn into a monstrous killer once again.
For monsters-in-recovery, the impairment is being a mythical creature. Not all mythical creatures are disabled, but monsters-in-recovery are because preventing a relapse and loss of mental control “substantially limits one or more major life activities,” to use the language of the Americans with Disabilities Act.
Spoilers for all of Being Human UK and the first season of Grimm.